AKIVA (IN AN APOLOGETIC TONE)
I’m watching the film, like you, for the first time.
LYDIA
That’s okay Akiva. Let’s see what you brought.
The hall is darkened. And the images from Akiva’s headlamp are displayed on the screen. The camera projects the entire path that Kfir and Akiva took, starting from the scooters’ departure point along the mountainside.
The snake rings surrounding the mountain seem to be alive and moving as the scooter moves, which looks tiny compared to the dimensions of the huge mountain walls.
The purple-blue color dominates. The sight is definitely frightening. The path the scooter takes is pristine, the ground of the mountain is filled with a pristine layer of dust without tracks or grooves. At this point, the mountain’s ceiling and sides are illuminated by yellowish lights dancing on the blue-purple snake strips. Akiva and Kfir get off the scooter and arrive at the transparent greenhouse. They move the transparent entrance door and then the inner door that isolates the interior of the greenhouse from the outside space. They enter the clean area. Kfir bends down and checks the ground of the hill with his hand.
KFIR (TO AKIVA)
The ground here is different, there is no dust here. It is hard. This is a clean area.